He had returned from London only a few days before. He was coming to campus now to gather any mail that might have accumulated. It was the Wednesday before Thanksgiving, and it was already evening, and the campus was deserted except for a few foreign students forlornly clumping here and there, their footsteps echoing with melancholia on the abandoned Frankfurter concrete. The moodiness of an early evening in late November softened the hard outlines of the aggressive architecture. The bluing air was crisped and smoke-sweetened, and the leaves crunched gratifyingly under his feet as he walked up the dirt path from the faculty parking lot that was closest to the Katzenbaum Brain and Cognitive Sciences Center.
The Katzenbaum Center was built in the style that prevailed on Frankfurter’s campus, meaning that it was a rectilinear, flat-roofed building, made of red brick with an exposed steel structure, a large show of glass, and a generous helping of concrete, which was stained red to match the bricks. The campus went heavy on the concrete. This, Cass had been told, was the International Style of architecture, which had been considered boldly cutting-edge after the Second World War, when Frankfurter had been established, its Master Building Plan embarked upon. To Cass it looked like the style of architecture favored by the wealthy Reform temples and Jewish community centers of northern New Jersey, where he had grown up. He associated this architecture less with Le Corbusier than with Hadassah. The founders of the school, together with the money they had raised, had been Jewish, and the school, though non-denominational, still attracted a disproportionate number of Jewish students.
Cass was just opening the heavy glass door when Lucinda materialized on the other side of it. She had taken the stairs down from her sixth-floor office rather than using the elevator. He saw the dark figure swiftly descending, almost a blur of motion, though he hadn’t realized that it was she. Why would he have realized, when a hundred times a day he had seen her superimposed on his surroundings?
The vision of Lucinda was always whisper-close, her phantom elbow ready to poke him playfully in the ribs. She had stood beside him on a sidewalk in Portland, Oregon, staring up at his illuminated name on the marquis of a big old opera house that he would be speaking in that night, both of them shaking their heads at the incongruity. She had walked the moonlit fog in London, floated by his side in fabled Oxford, teased him about his debate with Sir Jonathan Sacks, the Chief Rabbi of Great Britain, at London’s Jewish Book Festival, on reason and faith. So why wouldn’t he see her now, approaching him across the sterile vestibule of Katzenbaum, as he stood there holding the door wide open for whoever it really was?
