The Ficuses in the Open | страница 4
At 10 pm, Sahtik and the kids started for the Shelter, a former tailor's in the ground floor of a dingy two-storied apartment block a little bit up this street. The room enjoys swell popularity in the neighborhood because its only window is not facing the heights from where they shoot Alazan missiles at the town. About dozen of women with two or three kids each spend nights in that 6 by 6 meter room.
In the darkness I saw my family over to the Shelter carrying Ahshaut in my arms. It was a talkless walk under the snappy din of shooting out in Krkjan, beneath the indifferently gleaming stars above. We proceeded slowly in time to the slumber breathing of the child wrapped in his blanket and pressed to my chest full of bitter mute butterflies in my heart.
December 6, morning
Starting at midnight, for about two hours I tread, to and fro, the sidewalk—a too lofty term for all the ruts and holes and the crooked tree roots all too ready to trip you by their bulges through the crumbled asphalt—and carried water home with a couple of pails 'cause my missus's in the mind for a cap-tail washing. Up and down.
Down—to the Three Taps beneath the huge bass-relief of comic-tragic masks behind the Theater. Up—back to our kitchen where all the containers in our household waited a-gape to get their fill. In and out.
The dog-eat-dog gunfire kept swelling up in Krkjan—up and down the entire slope—bazooka booms, now and then. To and fro.
At one of my downs, I marked across the road, right opposite to our three windows, silent forms in white garbs contrasting ghostly to the darkness. They lugged a couple of drums, polished metal a-glitter under the lamppost, from the upper in the Twin Bakeries to its twin, 10 meters down the street. Seems like, my mother-in-law's gossip that they've air-lifted by choppers some flour down here came from a reliable source. Up and down.
On the back porch of the Theater, a group of men stood chatting and smoking. An unfriendly, split-up loner descended to the foot of the stairs to have a reefer all to himself. In and out.
Nearing the Three Taps for the damnteenth time, I met a couple of guys staggering in counter-direction. 'Hey, bro,' a husky voice thickly slurred in Russian, 'don't go there. They shoot.'
A split second later, the warning was confirmed by a stray bullet from Krkjan that whipped the crossroad by the Three Taps. 'Oh!' commented the males in the lee of the Theater.