I mused that it was the sort of house one finds in an Agatha Christie novel. It was only later on in the day that I discovered it was known as ‘Schelderup Hall’ by the neighbours.
There were eight cars parked in the space outside the gate, in addition to a police car. One of them was Magdalon Schelderup’s own big, black, shiny BMW. I was quickly able to confirm that he had told the truth: three of the tyres had been slashed with either a knife or some other sharp instrument.
The other cars were all smaller, but still new and of good quality. The only exception was a small, well-used blue Peugeot that looked as if it had been on the road since the early 1950s. I jotted down a working theory that all of the deceased’s guests were overwhelmingly upper-class, albeit with some obvious variations in their financial situations.
It was not a warm welcome. As I made my way to the front door, a cacophony of wild and vicious barking suddenly erupted behind me, and I spun round instinctively to protect myself against the attacking dogs. But fortunately that was not necessary: the three great Alsatians that were straining towards me were clearly securely chained. Nevertheless, the sight of the dogs only served to strengthen my feeling of unease and my conviction that Magdalon Schelderup must have felt safe in his own home. The threat had been in his innermost circle – as he had expected, but it had come two days earlier than anticipated.
At the front door, I greeted the two constables who had been first at the scene and were now standing guard. They were both apparently relieved to see me, and confirmed that despite the death, the mood in the house was surprisingly calm.
I soon understood what they meant when, one corridor and two flights of stairs later, I stepped onto the red carpet in Magdalon Schelderup’s vast dining room. At first it felt as though I had walked into a waxworks. The furniture and interior was in the style of the early 1900s. The fact that there were no pictures or decoration of any type on the walls only added to the cold, unreal feeling. There was a single exception, which was therefore all the more striking. A well-executed full-length portrait of Magdalon Schelderup filled one of the short walls.
The host himself was now laid out on a sofa by the wall, just inside the door. He was dressed in a simple black suit, and as far as I could see had no obvious injuries of any kind. His eyes were closed and his lips had a bluish tinge. I could quickly confirm that there was no sign of life when I felt for a pulse in his neck and inner wrist.
